Michelle Grabner

Michelle Grabner (*1962 in Oshkosh, Wisconsin, USA, lebt und arbeitet in Wisconsin, USA) hat in den 1980er Jahren Malerei, Zeichnung und Kunstgeschichte an der University of Wisonsin-Milwaukee und Kunstpraxis und Kunsttheorie an der Northwestern University in Chicago, Illinois studiert. Seit 1997 ist sie Crown Family Professorin für Malerei und Zeichnung an der Schule des Art Institute of Chicago, weitere Gastprofessuren u.a. in Yale ergänzen ihre akademischen Aktivitäten. Als Kunst- kritikerin schreibt sie regelmäßig u.a. für das Artforum und x-tra. Gemeinsam mit ihrem Mann, dem Künstler Brad Killam kuratiert sie die Projekträume „The Suburban“ und „The Poor Farm“. 2014 war sie Co-Kuratorin der Whitney Biennale im Whitney Museum of American Art. Grabner war die erste künstlerische Leiterin von FRONT International, einer alle drei Jahre stattfindenden Ausstellung in Cleveland, OH und Umgebung, die von Juli bis September 2018 stattfand. In ihrer künstlerischen wie auch kuratorischen und lehrenden Tätigkeit ist es Michelle Grabner ein besonderes Anliegen über Strukturen, Prozesse und Austausch zu reflektieren. Ihre künstlerischen Arbeiten greifen dies in der exzessiven Verwendung von Mustern und Wiederholungen auf. So auch in den Bronzeplastiken, deren Ursprung aus gehäkelten Decken auch als veredeltes und eigenständiges Objekt ersichtlich bleibt.

Biografie

Related Exhibitions

Margarine

Michelle Grabner

IDYLLE

Klaus Fritze, Michelle Grabner, Alex Grein, Sabrina Jung, Timo Kube, Mike Meiré, Ulrike Rosenbach, Ludwig Philipp Strack, Raphael Weilguni, Noa Yekutieli

Woven Roving

Noelle Africh, Polly Apfelbaum, Rose Dickson, Lilah Fowler, Michelle Grabner, Caleb Schroder, Stephen Westfall, Molly Zuckerman-Hartung

OFF THE GRID

Michelle Grabner, Clare Goodwin, István Haász, Timo Kube, Roman Lang, Maik und Dirk Löbbert, Martin Pfeifle, Jan van der Ploeg, Adam Rabinowitz, Franziska Reinbothe, Richard Schur, Joan Waltemath, Theresa Weber et. al.

Marmalade Sky

Michelle Grabner

Schönheit !?

Stephan Baumkötter, Laurenz Berges, Karla Black, Ecke Bonk, Patrycia German, Michelle Grabner, Tamara Grcic, Alex Grein, Young-Jae Lee, Keti Kapanadze, Inga Kerber, Maik & Dirk Löbbert, Stefan Löffelhardt, Hannes Malte Mahler, Michaela Melián, Martin Pfeifle, Ivo Ringe, Heather Sheehan, Kiki Smith, Stefan Vogel

Art Cologne

Joachim Bandau, Slawomir Elsner, Michelle Grabner, Sabrina Jung, Keti Kapanadze, Timo Kube, Roman Lang, Martin Pfeifle, Ulrike Rosenbach

Artists

Biografie

1962
in Oshkosh, Wisconsin, USA geboren

1984
B.F.A. Malerei und Zeichnen (Painting and Drawing), University of Wisconsin-Milwaukee, USA

1987
M.A. Kunstgeschichte (History of Art), University of Wisconsin-Milwaukee, USA

1990
M.F.A. Kunst und Kunsttheorie (Art Theory and Practice), Northwestern University, USA

Michelle Grabner lebt und arbeitet in Milwaukee and Waupaca County, WI, and Chicago, IL, USA.

Einzelausstellungen (Auswahl)

2022
Galerie Gisela Clement, Bonn (demnächst)

2021
James Cohan, New York City, NY, USA

2020
Copper Cole Gallery, Toronto, CA

2019
“Marmalade Sky”, Galerie Gisela Clement, Bonn
American Trompe l’oeil, The Green Gallery, Milwaukee, USA

2018
In This House, Mies van der Rohe’s McCormick House, Elmhurst Art Museum, Elmhurst, IL, USA
Picnic (New Gingham Paintings), Drive-by Projects, Watertown/Boston, MA, USA

2017
Patterns in Metal and Oil, Edward Cella Art & Architecture, Los Angeles, CA, USA Sculptures and paintings, Anne Mosseri-Marlio Galerie, Basel, CH
Niagara, Melbourne, AU

2016
James Cohan, New York City, NY, USA
Northwest Work, Hedreen Gallery, Seattle University, Seattle, WA, USA Gallery 16, San Francisco, CA, USA
On the Wall, Monique Meloche Gallery, Chicago, IL, USA

2015
Weaving Life Into Art, Indianapolis Museum of Art, curated by Tricia Paik, Indianapolis, IN, USA
Rocket Gallery, London, GB
Michelle Grabner: Paintings and Bronze Casts, Green Gallery East, Milwauke, WI, USA Michelle Grabner: Gingham, Rocket Gallery, London, GB

2014
My Oyster #7: Michelle Grabner & Brad Killam, The Katzen Arts Center, American University, Washington D.C., USA
Anne Mosseri-Marlio Galerie, Basel, CH
Brett Shaheen: Modern and Contemporary Art, Cleveland, OH, USA
James Cohan Gallery, New York CIty, NY, USA

2013
Museum of Contemporary Art Cleveland (curated by David Norr, exhibition catalogue), Cleveland, OH, USA
DRAFT, Autumn Space, Chicago, IL, USA
Shane Campbell Gallery, Chicago, IL, USA
Shane Campbell Gallery, Lincoln Park, Chicago, IL, USA
Brendan Fowler, Michelle Grabner, Shane Campbell Gallery, Oak Park, IL, USA

2012
Cottage Works, Green Gallery, Milwaukee, WI, USA
MICHELLE GRABNER: THE INOVA SURVEY (curated by John Riepenhoff, exhibition catalog), INOVA, The University of Wisconsin, Milwaukee, WI, USA
INOVA, The University of Wisconsin, Milwaukee, WI, USA
Against New York, Galleri Kant, Copenhagen, DK
Black Swan, Shane Campbell Gallery, Oak Park, IL, USA
Oshkosh, PS, Amsterdam, NL

2011
Like a Rare Morel, Shane Campbell Gallery, Chicago, IL, USA
Why Did the Chicken Cross the Road? Original Jokes about the Suburban and the Poor Farm by the Artists Who Exhibited There, Yale University School of Art, New Haven, CT, USA

2010

I speak now from the aesthetic and artistic point of view when I say that life with Michelle Grabner is dull, Leo Koenig Projekte, New York City, NY, USA
Get Better Mrs. Michelle, MINUS Space, Brooklyn, NY, USA
FLAPJACK, Rocket, London, GB
Chaos is rigidly structured in this chapter, Peregrine Program, Chicago, IL, USA

2009
Silverpoints with Guest Mobile, Green Gallery East, Milwaukee, WI, USA SILVERPOINTS, Shane Campbell Gallery, Chicago, IL, USA
ROUND SILVERPOINTS, Shane Campbell Gallery, Oak Park, IL, USA

2008
SILVERPOINTS, PS, Amsterdam, NL
Remain in Light, survey exhibition, Ulrich Museum, Wichita, KS, USA New Bedford Art Museum, Vault Series, New Bedford, MA, USA

2007
Michelle Grabner’s Never Quite Happy Home, Southfirst, Brooklyn, NY, USA
Please Return My Kenneth Noland Catalogue, Shane Campbell Gallery, Chicago, IL, USA
Please Return My Kenneth Noland Catalogue, PS Amsterdam, NL
Gallery 16, San Francisco, CA, USA
Michelle Grabner, 809 Calgary, CA
Remain in Light, survey exhibition, Wriston Art Center, Lawrence University, Appleton, WI, USA

2006
1996-2006, Rocket Gallery, London, UK
Remain in Light, survey exhibition, University Galleries, Illinois State University, USA

2005
Project Room, Wendy Cooper Gallery, Chicago, IL, USA

2004
Allston Skirt Gallery, Boston, MA, USA

2003
Rocket Gallery, London, GB Niagara Galleries, Melbourne, AU

2001
Richard Heller Gallery, Santa Monica, CA, USA
Ten in One Gallery, New York City, NY, USA
A Little Less of Me Deluxe Projects, Chicago, IL, USA
Ten in One Gallery: Project Space, New York City, NY, USA

2000
Suburban Abstraction, Rocket, London, GB Ten in One Gallery, New York City, NY, USA

1999
In Situ, Aalst, BE
Hermetic Gallery, Milwaukee, WI, USA
Ten in One Gallery, New York City, NY, USA
Paintings for Modern Chairs, Cranbrook Art Museum, Bloomfield Hills, MI, USA

1998
Home Painting, Rocket Gallery, London, GB
Richard Heller Gallery, Santa Monica, CA, USA
Fuzzy, ICA, Portland, ME, USA
Safety Patterns, Milwaukee Art Museum, Milwaukee, WI, USA Safety Patterns, Rocket Gallery, London, GB

1997
Richard Heller Gallery, Santa Monica, CA, USA
NOVA (Institute of Visual Arts), University of Wisconsin-Milwaukee, WI, USA

1996
Ten in One Gallery, Chicago, IL, USA Hermetic Gallery, Milwaukee, WI, USA

Gruppenausstellungen (Auswahl)

2022
IDYLLE, Galerie Gisela Clement, Bonn

2020
A View Without a Room – Michelle Grabner & Vanessa Maltese (curated by Simon Cole), MICKEY, Chicago, IL, USA
Wedding of the Waters, Buffalo Institute of Contemporary Art (curated by A. Will Brown), Buffalo, NY, USA
RADICAL POSITIONS:
Charlotte Posenenske, Frauke Dannert, Gerold Miller, John
Nixon, Michelle Grabner, Steven Parrino, PS, Amsterdam, NL
Playing House: Michelle Grabner and Lois Bielefeld (curated by Maureen Ragalie), St. Kate Milwaukee, WI, USA
ROCKET GALLERY CELEBRATES 25 YEARS 1994-2019, Rocket, London, GB
Paint vs. Colour (curated by Christoph Dahlhausen & Michael Graeve), Five Walls, Footscray, AU
Form and Volume (curated by Jens Hoffmann), Cristina Guerra Contemporary Art, Lisbon, PT

2019
AEGIS, Parisian Laundry, Montreal, CA
Double Edged, Geometric Abstraction, Then and Now, Weatherspoon Art Museum, UNC Greensboro, NC, USA
James Cohan: Twenty Years, James Cohan, New York City, NY, USA
PATTERN, Anne Mosseri-Marlio Galerie, Basel, CH
deCordova Sculpture Park, Lincoln, MA, USA
Schönheit ?! (curated by Anne-Marie Bonnet), Galerie Gisela Clement, Bonn, DE
A Common Thread, Richard Heller, Santa Monica, CA, USA
White Works in Melanie’s Office, 57W57Arts, New York City, NY, USA
sky everyday, Project + Gallery, St. Louis, MO, USA
American Fantasy Classics: Tetsuo, Bahamas Biennale, Detroit, MI, USA

2018
Grids, James Cohan Gallery, New York City, NY, USA
A Brief History of Abstraction (curated by Julie Sass), Rønnebæksholm, DK Four-Dimensional Universe, Edward Cella Art & Architecture, Los Angeles, CA, USA Superposition (curated by Johnny Abrahams), Joshua Liner Gallery, New York City, NY, USA
Now We Are Five, Upfor, Portland, OR, USA
Positions Matter (curated by Saul Ostrow), Galerie Richard, New York City, NY, USA Michelle Grabner and Anne Crumpacker: East/Snso, Upfor, Portland, OR, USA Hinternational Paper, REAL Tinsel, Milwaukee, WI, USA
What is an Edition, Anyway?, Art in Print magazine and Mana Contemporary Chicago Cleve Carney Print Portfolio Exhibition, Cleve Carney Art Gallery, College of DuPage Dual Currents: Inseparable Elements in Painting and Architecture, Clara M. Eagle Galleries, Murray State University, Murray, KY, USA
Dual Currents: Inseparable Elements in Painting and Architecture, Sarah Moody Gallery, The University of Alabama, Tuscaloosa, AL, USA

2017
Gray Matters, Wexner Center for the Arts, Columbus, OH, USA
Dual Currents: Inseparable Elements in Painting and Architecture, Ewing Gallery of Art and Architecture, University of Tennessee, Knoxville, TN, USA
Whitney Biennial, Whitney Museum of America, NY, USA
Innovative Approaches, Honored Traditions: The Ruth and Elmer Wellin Museum at Five Years, Highlights from the Permanent Collection, Wellin Museum of Art, Hamilton College, Clinton, NY, USA
99 Cents or Less, Museum of Contemporary Art Detroit, Detroit, MI, USA
Heavy Metal, Akron Art Museum, OH, USA
Sag Harbor, Western Exhibitions, Chicago, IL, USA
Like Your Work, curated by Erin Washington, Zolla/Lieberman Gallery, Chicago, IL, USA Sculpture Milwaukee, Wisconsin Avenue curated by Russell Bowman, Milwaukee, WI, USA
Paper Play, Milwaukee Art Museum, Milwaukee, WI, USA
In House, Elizabeth Stone Harper Gallery, Presbyterian College, Clinton, SC, USA
Art Show and Cake (curated by Seth Hunter), Beehold Cakes, Lafayette CO, USA
A Tiny Rivulet in the Distant Forest, curated by Michael Velliquette, Artstart, Rhinelander, WI, USA

2016
It was Never Linear: Recent Painting, Sheldon Museum, Lincoln, NE, USA
Living Rooms, John Michael Kohler Art Center, WI, USA
Physical Painting, Richard & Dolly Maass Gallery, Purchase College, Purchase, NY, USA
Condensed Matter Community, Synchrotron Radiation Center: Home of Aladdin (curated by Evan Gruzis & Kristof Wickman), Stoughton, WI, USA
An Unnamed Need: Pattern and Beauty in Contemporary Art, Leech, Hoffmaster & Kohler Galleries, Lawrence University, Appleton, WI, USA
Strange Abstraction, Featuring Joanne Greenbaum, Arlene Shechet, Chris Martin, Cary Smith and Others, Fredericks & Freiser, New York City, NY, USA
Eastside International, Los Angeles, CA, USA
Radical Plastic (curated by Rachel Reese), CUE Foundation, NY Expanded Fields, Nymphius Projekte, Berlin, DE
Julian Dashper and Friends, PS, Amsterdam, NL

2015
Pathmakers: Women in Art, Craft and Design, Midcentury and Today, Museum of Art and Design, New York City, NY, USA; National Museum of Women in the Arts, Washington, D.C., USA
The Works: Artists in and From Chicago, Curated by Dieter Roelstraete, Abigail Winograd and Eleonore de Sadeleer, CAB Contemporary Art, Brussels, BE
Color Fields, Massachusetts College of Art and Design, Boston, MA, USA
Linear Abstraction, Gutstein Gallery, Savannah College of Art Museum, Savannah, GA, USA
Piece by Piece: Building a Collection, The Christy and Bill Gautreaux Collection, Kemper Museum, Kansas City, MO, USA
Selections from the Cleve Carney Bequest, Elmhurst Art Museum, Elmhurst, IL, USA Same Difference: Michelle Grabner, Simone Leigh, Russell Maltz, The Art Museum at The University of Kentucky, Lexington, KY, USA

2014
This One's Optimistic: Pincushion, Curated by Cary Smith, New Britain Museum of American Art, New Britain, CT, USA
Michelle Grabner and Brad Killam, Gallery 16, San Francisco, CA, USA
Sensitive Instruments, curated by Molly Zuckerman-Hartung, Corbett vs. Dempsey, Chicago, IL, USA
Shakti, Brand New Gallery, Milan, IT
Social Goth, Scandinavian Institute, New York City, NY, USA
Simplest Means, Jeff Bailey Gallery, New York City, NY, USA
MORNING AND EVENING ASYLUM, Tanya Leighton, Berlin and Off Vendrome, Dusseldorf, DE
Repetitive Motion, curated by Jennifer Samet, Steven Harvey Projects/ Projector, New York City, NY, USA

2013
To Pack and Wear, Kate Werble Gallery, New York City, NY, USA
On the Grid, curated by Sima Familant, Lu Magnus, New York City, NY, USA
Work, organized by Sara Greenberger Rafferty, Klaus Von Nichtssagend Gallery, New York, NY, USA
Faux Life, Richard Heller Gallery, Santa Monica, CA, USA
The White Album, Kate Werble Gallery, New York City, NY, USA
Buzz, curated by Vik Muniz, Nara Roesler, Sao Paolo, BR
Spectator Sports, Museum of Contemporary Photography, Chicago, IL, USA PS, Galerie Ruth Leuchter, Dusseldorf, DE
19516 kilometers from Milwaukee or 12126 miles, Misako & Rosen, Tokyo, JP Selected Works, Southfirst, Brooklyn, USA
Compilation | painting, photography, sculpture, Rocket, London, GB
Point of Departure, The Arcade, Columbia College, Chicago, USA
Inaugural Exhibition, Museum of Wisconsin, West Bend, WI, USA

2012
Chris Bradley, Michelle Grabner, Suzanne McClelland, Amanda Ross-Ho, Lisa Williamson, Shane Campbell Gallery, Lincoln Park, Chicago, IL, USA
Lucie Fontaine: Estate, Marianne Boesky Gallery, 64th Street, New York City, NY, USA Land of the Seven Moles, PS, Amsterdam, NL
Les Détours de l’abstraction, MUDAM, Luxembourg, LU
More and Different Flags, Marlborough Chelsea, New York City, NY, USA
Neither Here Nor There But Anywhere, MINUS Space, Brooklyn, NY, USA
Time Flies: 2 Years at Drive-By, BK Projects, Boston, MA, USA
TIME, Anne Mosseri-Marlio Galerie, Zurich, CH
Ongoing Minimalism (Stefan Eberstadt, Michelle Grabner, Ditty Ketting, Will Taylor, Lars Wolter), Rocket, London, GB
MINUS SPACE: Editions & Multiples, curated by Matthew Deleget & Emi Winter, Instituto de Artes Gráficas de Oaxaca, Oaxaca, MX
Did You See Heaven, Peregrine Program, Chicago, IL, USA
First Love, O’Connor Gallery, Dominican University, River Forrest, IL, USA
Tops, curated by Sun Yu, Open Space, Long Island City, NY, USA
Endless, PLUG PROJECTS, Kansas City, MO, USA
Total RECALL, two-person exhibition with Brad Killam, University of Wisconsin Oshkosh, WI, USA
Critology, Bardo Fine and Performing Arts Center at Western Carolina University, NC, USA
THE, Alternative Projects, Milwaukee, WI, USA
The Indiscpline of Painting: International Abstraction from the 1960s to Now, Mead Gallery, University of Warwick, UK

2011
A Painting Show, curated by Laura Raicovich and Jessie Washburne-Harris, Harris Lieberman, New York City, NY, USA
The Indiscipline of Painting: International Abstraction from the 1960s to Now,” Tate St. Ives, GB
Women and Weaving, Southfirst, Brooklyn, NY, USA
Dressing the Monument, curated by John Riepenhoff and Piper Marshall, Lynden Sculpture Garden, Milwaukee, IL, USA
COMPILATION: ONGOING MINIMALISM, Paintings by Lars Wolter, Michelle Grabner, Stefan Eberstadt, Will Taylor, Rocket, London, GB
KISS: New Sincerity & New Romaticism in Art, Clara M Eagale Gallery, Murray State, KY, USA
A Shot in the Dark, Walker Art Center, Minneapolis, MN, USA
SCULPTURE GARDEN/PAINTING SHOW, curated by Andrew Greene, Iceberg Projects, Chicago, IL, USA
Ways of Making: Work on Paper, Visual Arts Gallery, Governors State University, IL, USA
Michelle Grabner and Sarah Blyth-Stephens, U.turn Art Space, Cincinnati, OH, USA MARKED, Kittridge Gallery, University of Puget Sound, Puget Sound, WA, USA
Unfinished Paintings: Unresolved Work by 40 Contemporary Artists, LACE, Los Angeles, CA, USA
Between This Light and That Space, Minus Space, curated by Doug Meilini, New York City, NY, USA
Free Range-Painting and the University of Pennsylvania, Morgan Gallery, University of Philadelphia, PA, USA
SPUR, STRUKTUR..., Galerie Nikolaus Ruzicska, Salzburg, AT

2010
Collaborating with Michelle Grabner isn't as much fun as you might think it is, Gallery 16, San Francisco, CA, USA
The Elegant Drawing Show, Drive-By, Boston, MA, USA
Ornament and Crime (and Crime), Adds Donna, Chicago, IL, USA
A Shot in the Dark, Walker Art Center, Minneapolis, MN, USA
UND#6, Schwartz Gallery, London, GB
Newtonland: Orbits, Ellipses and other Planes of Activity, White Flag Projects, St. Louis, MO, USA
Mother, NYU Steinhardt Commons Gallery, New York City, NY, USA
Art Scout, Arlington Art Center, Arlington VA, USA
Borderland Abstraction, Bemis Center for Contemporary Arts, Omaha, NE, USA
Don’t Piss on Me and Tell Me it’s Raining, curated by Bad at Sports, Apex Art, NY, USA Emerging from a New Known (curated by Douglas Melini), NO LONGER EMPTY, New York City, NY, USA
On Painting Julius Caesar, Chicago, IL, USA
My Eyes Keep Me In Trouble, La Station, Nice, FR

2009
Halbjahresgaben, Tanzschule, Munich, DE
SUBVISION kunst.festival, Hamburg, DE
Constellations: Paintings from the MCA Collection, Museum of Contemporary Art, Chicago, IL, USA
Open House For Butterflies, MINUS SPACE Project Space, Brooklyn, NY, USA
PS, The Highland Institute for Contemporary Art, Inverness, GB
Because the Night, curated by Sabina Ott, Guggenheim Gallery, Chapman College, Los Angeles, CA, USA
Wallgasm, Anstrom Gallery, LA, USA
Let’s Leave It at That..., Gallery 16, San Francisco, CA, USA
of or related to the sky or visible heavens, Western Exhibitions, Chicago, IL, USA De-Centered Practice, curated by Jennifer Dudley, Ethan Greenbaum, Colleen Asper, Circus Gallery, LA, USA
PS 1999-2009, Kunstruimte09, Groningen, NL
Trance, Chance, Dreams and the Unconscious, Southfirst, Brooklyn, NY, USA

2008
Presents, curated by Milwaukee International, Rowley Kennerk, Chicago, IL, USA
Sensory Overload: Forces of Light Sound and Motion, Milwaukee Art Museum, WI, USA UND CROXHAPOX, Ghent, BE
NOLEFTOVERS, Kunsthalle, Bern, CH
These Are The People In Your Neighborhood, Gallery 16, San Francisco, CA, USA

2007
Maximinimalist, INOVA, The University of Wisconsin-Milwaukee, WI, USA
Fast Forward: The School of the Art Institute in the 21st Century, Rockfort Art Museum, IL, USA
Eldorado: with Gaylen Gerber, Musee d'Art Moderne Grand-Duc Jean, LU
Figures in the Field, Museum of Contemporary Art, Chicago, IL, USA
Outside Europe: From the Daimler art Collection, Stadtgalerie Kiel, Kiel, DE
The Believers, Franklin Hudson Gallery, New York, NY, USA
Strange Days, Samuel P. Harn Museum, Gainsville, FL, USA
Slowness, Heaven Gallery, Chicago, IL, USA

Editionen

2018
Cleve Carney Portfolio, College of DuPage, IL, US: prints by Chicago artists Phyllis Bramson, Michelle Grabner, Judy Ledgerwood, Tony Tasset, and Richard Rezac. City Canvas Portfolio, FRONT International, Cleveland, OH, US prints by Heimo Zobernig, Sarah Morris, Julian Stanczak, Odili Odita, and Michelle Grabner.
Print Project Chicago.

2017
Zygote Press, MOCA Cleveland edition, OH, US.

2016
Spudnik Press, Chicago.

2015
Tandem Press, University of Wisconsin-Madison, USA.
The Thing Quarterly, Gingham soccer ball, San Francisco, CA, USA.

2013
Zygote Press, I Work From Home, MOCA Cleveland, OH, USA.

2002
The Wisconsin Sesquicentennial Portfolio, Balkin Press, Madison, WI, USA.

Öffentliche Sammlungen

Allen Memorial Art Museum, Oberlin College, OH, USA Bates College, Lewiston, ME, USA
Daimler Contemporary, Berlin, DE
Dallas Museum of Art, TX, USA
Indianapolis Museum of Art, IN, USA
Madison Museum of Contemporary Art, WI, USA
Milwaukee Art Museum, WI, USA
Mount Holyoke College Art Museum, South Hadley, MA, USA UDAM - Musée d’Art Moderne Luxemburg, LU
Museum of Contemporary Art, Chicago, IL, USA
Museum of Fine Arts, Boston, MA, USA
RISD MUSEUM, Providence, RI, USA
Sheldon Museum of Art, Lincoln, NE, USA
Smithsonian American Art Museum, Washington DC, USA Walker Art Center, Minneapolis, MN, USA
Wellin Museum of Art, Hamilton College, Clinton, NY, USA Victoria and Albert Museum, London, GB

Publikationen (Auswahl)

A Brief History of Abstraction, exhibition catalog with contributions from Erica Hoffmann (Berlin) and director of Palazzo Fortuny Daniela Ferretti (Venice) and Julie Sass, 2018. Bronze: Michelle Grabner, exhibition catalog, essay by David Getsy and Caroline Levine, James Cohan, New York, 2017.
Dual Current: Inseparable Elements in Painting and Architecture, University of Tennessee, Knoxville, 2017.
Michelle Grabner: Gingham, Limited edition, essays by Lottie Stephenson and Laura Perry. Designed by Jonathan Stephenson, published by Rocket Gallery, London, 2015. Akademie X: Lessons in Art + Life, Phaidon Press 2015.
I Work From Home, Mousse Publication, edited by David Norr with essays by Molly Zuckerman-Hartung, Dan Byers, Rose Bouthillier, Peter Ribic, David Robbins and David Norr, 2014.
Element 47 The Art Collection, essays by Barbara Bloemink, Maruand Books, 2014. Michelle Grabner: The INOVA Survey, exhibition catalogue, essays by Nicholas Frank, Molly Zuckerman-Hartung, University of Wisconsin- Milwaukee and Green Gallery Press, 2012.
The Indiscipline of Painting, Martin Clark (Editor), Sarah Shalgosky (Editor), Daniel Sturgis (Editor), Tate Publishing, October 1, 2011.
On Painting, Poor Farm Press, with an essay by: Ann Craven, Susanna Coffey, Anoka Faruqee, Michelle Grabner, Peter Halley, Thomas Lawson, Judy Ledgerwood, Rebecca Morris, Carrie Moyer, Jon Pestoni, Sabina Ott, Scott Reeder, Molly Zuckerman-Hartung, 2011.
No Soul For Sale—A Festival of Independents, The Tate Modern, edited by Cecilia Alemani, Maurizio Cattelan, Massimiliano Gioni, Ali Subotnick, Charley Independents Publication, 2010.
These Are The People in Your Neighborhood: Sixteen Years of Gallery 16, essay by Mark Van Proyen, 2010.
Can I come Over to Your House: The First Ten Years of the Suburban, Poor Farm Press, with an essay by Michael Newman, 2010.
The Studio Reader, The University of Chicago Press, edited by Mary Jane Jacob and Michelle Grabner, Introduction by Michelle Grabner, 2010.
There are many things in the air and all of them are for free, Poor Farm Press, with an essay by Nicholas Frank, 2010.
Michelle Grabner’s Black Circle Paintings, Poor Farm Press, with an essay by Annika Marie, 2009.
Remain in Light, Illinois State University, with essays by Lane Relyea and Peter Ribic, 2008.
Minimalism and After, Hatje Cantz, essay by Renate Wieghager, Claudia Kleinbub, Friederike Nymphius, Rudolf Scheutle and Claudia Seidel, 2007.
The Suburban: The Early Years, self-published, with essays by Nicholas Frank, Matthew Higgs, and Peter Ribic, 2003.
Sweetness and Light, self-published, with essays by Shane Campbell and Nicholas Frank, 2001.
Charley 01, edited by Maurizio Cattelan, Charley Independents Publication, 2001. Post-Hypnotic, Illinois State University Press, with essays by Dave Hickey, Barry Blinderman, Peter Halley and Tom Moody, 1999.
Home Painting, published by Rocket Gallery, London, with an essay by Jerome Sans, 1999.
If Walls Could Talk, published by Hermetic Gallery, Milwaukee, with an essay by Nicholas Frank, 1997.
25 Americans: Painting in the 90s, Milwaukee Art Museum, with an essay by Dean Sobel, 1995.

Galerie Gisela Clement